Craft Fair!!!

Please come out and see me, Lynette of LSG Crafts, at the Deep Run East Mennonite Church in Perkasie, PA on October 8th. Proceeds to benefit Worthwhile Wear, an organization supporting victims of human trafficking. I hope to see you there!

Converting Overshot Patterns To Summer & Winter

The I love to weave overshot and I also love summer & winter. I thought I'd combine the two. The John Landes collection of patterns by Mary Atwater, gives threading a for both overshot and summer & winter for most of the patterns. Those patterns were the inspiration for my latest experiment.

I decided to make a few wraps. I used "Periwinkle", a miniature overshot pattern by Josephine Estes, as my profile draft. It is a great little overshot pattern and it's fun to weave. Here is the threading...

To convert the design to summer and winter, you will thread each square in the overshot design as a 4 thread summer & winter block. For example, the twill border, threaded for overshot, would be 4,3,2,1. For summer & winter it would be 1,6,2,6; 1,5,2,5; 1,4,2,4; 1,3,2,3. Here is the draft....

I threaded 5/2 cotton in natural for the warp, sett 15epi. I used various colors of 5/2 as tabby weft and alpaca from Galler Yarns as pattern weft.

Here is the result....

The overshot version of Periwinkle as compared to the summer & winter version.

Same warp, but using a different treadling and color scheme; "winter" side

A view of the "summer" side 

I can not wait to get these wraps off the loom!!!! 

Happy Weaving!

John Landes #2 in Linen

I've been wanting to weave this forever. 

I never really liked the way it looked drafted for overshot. I knew that I needed 6 shafts to do the design in Summer & Winter, they way I wanted; so I waited.

Fast forward to this past March & the addition of my 8 shaft Macomber to my little family of looms. Now, I could weave this. Well, not really. Adjusting to this loom has been more of a learning curve than I had thought. Again the pattern would wait. 

Fast forward again to a few weeks ago when I took the overshot workshop with Norma Smayda. One of the most important things I learned in those few precious days, was to not be scared of a fine warp. Bearing that in mind, I decided to go ahead with my long awaited project. 

I'll be using 16/2 Bockens linen for warp & tabby weft. As I'm still warping, I'm not sure if I'll use cotton or wool or maybe a heavier weight linen as pattern weft. Ah, the possibilities!!!

Here is my profile draft, and as I said, I'll be weaving summer & winter, so each square represents 4 threads. 

Warping using two coffee cans to hold the spools of linen.

467 ends ready to go!

Happy Weaving!

An Overshot Workshop With The Incomparable Norma Smayda!!!!

A fore note: this is a long post! I learned an insane amount in 3 days so please, bear with me 😉

5/11/16

Today is the start of my overshot workshop with Norma Smayda!!!! I'm nervous about a few things. 1st being, 10/2 cotton is the finest yarn I've ever worked with. I managed to get the loom sleyed & threaded and wove a few inches. I'm also having tension issues with string aprons. The Dorset loom that I borrowed for this workshop, as well as my 8 shaft Macomber, use string aprons. Another thing I'm nervous about is that I've never woven with anyone before. I wonder if self teaching will prove to be a help or a hindrance. Yikes!!!!!!

Lastly I'm worried about only having 4 treadles. This is going to be interesting!!!!!

After our monthly guild meeting, which yielded several beauties for show & tell,...

.....we were introduced to Norma Smayda. She gave us a fascinating presentation on Bertha Gray Hayes & then we dove right into weaving. 

I spent the 1st part of our workshop trying to understand how I've been wrong about overshot in Rose fashion. I was under the impression that if you inverted a star treadling that you would get rose fashion. Apparently you do not reverse the treadling but you switch shafts 1+2 for 2+3 and you switch shafts 3+4 for 4+1. Based on the drafts I made when I got home, if you invert the treadling, as I've been doing, and then you treadle with the shaft switching, you can get two different rose motifs in one piece. Pretty cool. Here are my results from day 1.....

5/12/16

Today was the 2nd day of the workshop. Norma Smayda is just wonderful!! She has SO much knowledge yet she gently guides you through your mistakes and misconceptions and encourages you to see, not only the beauty of a pattern, but the beauty that each individual weaver brings to that pattern. She is warm and funny and awesome!!!!!

Thankfully I didn't have any more issues with the warp tension on the Dorset loom.

Here are some of the samples Norma brought with her. They were all so stunning and all soooooo tiny. Most of them were done at a sett of 30 epi and completely out of my comfort range. I was very intimidated!

Today I wove Shifted Rose, On Opposites, Variation on Opposites (Windeknecht), Shadow Weave, Twill, Twill & Reverse on Opposites, Feather Stitch, Inlay and Polychrome. Whew!

5/13

One day 3 of the workshop I wove Sunburst, A Bronson Lace Variation, Honeycomb, Swivel  & Flame Point. Some of  these weaves were quite a challenge because I had to treadle 3 treadles with two feet. Following a new pattern and treadling like that for the 1st time was interesting to say the least. Throw in the challenge of 5 shuttles at once, and my head almost exploded 😉

I was so sad to see our workshop end. Norma Smayda is a weaving treasure!! She was warm & caring & funny and a walking encyclopedia of weaving & fiber. She opened my eyes to so many different things that I feel it would take a lifetime to master them. If you ever have the chance, you must go to her weaving school, Saunderstown Weaving School in Rhode Island. Thank You, Norma, you are the best!!!!!❤️❤️❤️❤️

I also can not say Thank You enough to the wonderful women & men of the Hand Weavers of Bucks County. They have been so warm and receptive. I feel so lucky to have found such a wonderfully creative group of people to learn from and share with. To have had my first actual weaving lesson from a person like Norma is something I am so grateful for. It is thanks to people like Sue and Elizabeth and Debbie and all the people in our weaving guild that I was afforded this opportunity so Thank You, Thank You Thank You!!!❤️❤️❤️❤️❤️

When I got home, I began to apply what I learned to my current warp. This is Polychrome woven on an Orange Peel overshot threading.

Polychrome 

Shadow Weave

On Opposites

I'll post much more about the workshop & the different techniques I learned in the next few weeks. I can't wait to see what the other guild members do with this new found information. I'll bet next month's show & share will be amazing!!!!

Happy Weaving!

Happy Mothers Day!

Happy Mother's Day!!!!! Thanks to my beautiful daughters, I'm weaving with hand picked violets and lilies of the valley.

This is, thankfully, my last warp of pillows. I actually miscounted so I should have about 60 completely individual pillows for the show. A side note; I never used this brand of Pearl cotton before and my hands have been black since warping. I really hope that color bleed will not affect the pillow fronts. I decided to do a few with a white pattern weft and if the black bleeds a bit, maybe it would have a cool ombré effect. 

Happy Weaving

Happy Mother's Day Momma. I miss you every day!!!!!